How To Use Color Filters In Black And White Photography
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I know that color filters “block” colors opposite the filter color and when used in black and white graphics can lighten or darken objects depending on the color and color of the filter.
How To Use Color Filters In Black And White Photography
So I’m wondering when I’m doing B&W graphics, is there something like a “go to” color filter for portraits that evens out skin tones and such? Or it depends on the situation, depending on our lighting conditions, to compensate for the color reflection caused by the environment or to block the background color, make the person brighter to shine it, or something like that.
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Edit: I should note that I’m mostly asking for black and white film graphics, but it’s always good to know both sides, so digital answers are also appreciated.
There is a very important difference if you use film or digital. I will focus on the digital aspect but give you an idea of what to expect from the film.
Let’s start with the basic RGB light colors. Because skin has more red components, skin will appear brighter when using a red (R) filter, and the opposite occurs when using a green (G) or blue (B) filter.
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Panchromatic films already contribute more of the green light spectrum than red and blue, which are at the ends of the visible light spectrum, so the trend will be more like the green (G) sample
But modern color profiles and conversion tools use more complex combinations than simple color filters, as you can see in the grayscale conversion slider.
In this case, the default transform profile produces a result with less contrast (P) with more gray tones and gives a similar result to the luminance component (from the HSL color model) (L).
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Block the color in the background, make the person look brighter to change it, or something like that?
Usually you use a color filter on film if you want to contrast something in the background, like the sky for something more dramatic, using a red filter for example.
If you use a color filter on a digital camera, you drastically reduce the number of ns to create an image, the brightness level and the ability to play with grayscale conversion.
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There are digital filters and software tools that help you simulate how classic color film reacts to light, so:
By clicking “Accept all cookies”, you agree that Stack Exchange may store cookies on your device and disclose information in accordance with our Cookie Policy. I think digital photography and especially post-production in Photoshop and Lightroom played a huge role in the evolution of photography. There are all kinds of color filters on the market, but since film photography doesn’t get the attention it deserves, color filters, or filters at all, don’t play a big role in photographic effects anymore (with the exception of filter neutral density). ).
The main types of filters are color temperature filters, color filters, UV, fog, traffic lights and special effects filters (softer, stars…etc). But in this post, I’m only going to focus on color filters for black and white film, and that means filters with fixed colors. Commonly colored filters are yellow, orange, red, green, blue, yellow green.
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I will walk you through the most common and fastest ways to enhance your image based on the amount of contrast you need and where and when you should place these filters. These filters are usually quite cheap now, but of course it depends on your brand and the size and rarity they offer (eg 41mm 43mm 49mm 60mm is an uncommon size but used for Leica lenses.
First of all, the color filter adds contrast to the image. In short, it makes some areas darker, blacker and less shadowy, and at the same time, some parts will be brighter. So how do I know when it will be brighter and when it will be darker?
Use it as an ND filter to reduce the number of stops to use the maximum aperture.
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You can also try the same lens and get a completely different style and feel, so you keep looking for something from the same lens but don’t switch to another lens, saving you money. Sometimes you use the wrong ISO film, like 400, but it’s too bright that you don’t want to shoot at F8 all the time, and you want to stop down a bit, maybe a red filter can help you get some extra contrast and can: Lower your shutter speed by 2 stops or your aperture by 2 stops, either way, can help things.
Based on my experience, I usually set the exposure compensation for the following filters by an extra stop or two, because the color actually blocks some of the light coming through the lens, you have to compensate with a slower shutter speed to get your image right. amount of light
For example, if your meter reading is F8, then after setting the yellow filter to 1/500, you should change the shutter speed to 1/250 for one extra stop. The red filter becomes 1/120, allowing for 2 stops of additional brightness.
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To be honest, I haven’t tried everything, and that’s what I wish I could do if I could try some of them. My range of filters is usually yellow, orange, red and yellow green which is big enough to make my black and white photos at least interesting to me and it’s more fun to try these combinations. But for color temperature filters 85A, 85B…etc. They are also something I would like to try to see how they change the WB in film footage and enhance the mood.
If you have any questions about film photography or want to learn more about it, please email me or subscribe below for free photography tips.
Basic user guide black and white color filter orange filter red filter yellow filter green filter yellow
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Using Color Filters With Black And White Film » Shoot It With Film
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Panchromatic film does not see or register color the way our eyes and brain do. In reality, black and white film sees all visible colors of light as shades of gray. The only thing that differentiates them
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